IK Multimedia Total Studio Bundle 2 Max (Upgrade, Download)

• 17 instrument collections representing 38 classic synthesizers and string machines
• Over 50GB of samples with
• Over 2000 instrument presets
• Multi-sampled oscillators for ultimate authenticity
• DRIFT technology for realism of subtle oscillator variations
• Mix and match oscillators with filters for new original sounds
• Multiple round robins of single oscillators and oscillator combinations (including sync and FM sweeps)
• True 4-part capability to layer rich sounds with multis and splits
• 4 dynamic arpeggiators for complex rhythmic textures
• 38 high-quality effects derived from AmpliTube and T-RackS
• 5 effects can be simultaneously inserted on every instrument via a lunchbox-style interface that allows for an immediate visualization and editing of every parameter from within a single, convenient interface
• Browser search by category or keyword to find sounds in seconds
• 4 keyboard modes: Poly, Mono, Legato 1, Legato 2
• 17 dedicated interfaces with look and feel of the original hardware panels
• Optimized, resizable interfaces
• Load Syntronik sounds into SampleTank 3 for more expandability
• Works as a 64-bit plug-in or standalone instrument for Mac/Windows

• Synth engine includes circuit-level filter models of four of the best-sounding machines of all time
• Moog transistor ladder (found in the Minimoog and Modular Moog)
• Roland IR3109 chip (found in the Jupiter-8 and Juno-60)
• Curtis CEM3320 chip (found in the Prophet-5 and Oberheim OB-Xa)
• Oberheim SEM state variable filter

• 99
• Blau
• Bully
• DCO-X
• Galaxy
• Harpy 260
• J-60
• J-8
• Minimod
• Noir
• OXa
• Polymorph
• Pro-V
• SAM
• String Box
• T-03
• V-80

• Alesis Andromeda
• ARP 2600
• ARP String Ensemble (Solina)
• Elka Rhapsody 490
• Hohner String Performer
• Micromoog
• Minimoog Model D
• Modular Moog
• Moog Opus 3
• Moog Prodigy
• Moog Rogue
• Moog Taurus I
• Moog Taurus II
• Moog Taurus 3
• Moog Voyager
• Multimoog
• Oberheim OB-X
• Oberheim OB-Xa
• Oberheim SEM (Synthesizer Expander Module)
• Polymoog
• PPG Wave 2.3
• Realistic Concertmate MG-1
• Roland Juno-60
• Roland Jupiter-4
• Roland Jupiter-6
• Roland Jupiter-8
• Roland JX-10
• Roland JX-3P
• Roland JX-8P
• Roland RS-09 Organ/Strings
• Roland RS-505 Paraphonic
• Roland TB-303 Bassline
• Sequential Circuits Prophet-10
• Sequential Circuits Prophet-5
• Yamaha CS-01II
• Yamaha CS-80
• Yamaha GX-1
• Yamaha SY99

• Amps: Flexi Amp, Modern Tube Lead, SVT Classic, Jazz Amp 120
• Distortion: Distortion, Crusher, Overdrive, Overscream, Lo-Fi, Phonograph
• Dynamics / EQ: Black 76, White 2A, Model 670, Parametric EQ, Vintage EQ-1A, Channel Strip
• Modulation: AM Modulation, Ensemble Chorus, Chorus C1, Electric Flanger, FM Modulation, Opto Tremolo, Phaser, Rotary Speaker, Small Phazer, Uni-V, AutoPan, Slicer
• Reverb / Delay: Hall Reverb, Plate Reverb, Digital Delay, Spring Reverb, Tape Echo, Stereo Imager
• Filter: LFO Filter, Env Filter, Multi Filter, Wah 47

• Play Environment: Browse through thousands of instruments from hip hop to classical
• Browser: A streamlined environment to help you locate sounds, including an INFO tab for important details, a PATTERN tab for auditioning loops, and search functionality
• Part Viewer: Provides overview over the 16 parts in a given Multi, loading of individual instruments, and access to macro controls / insert effects
• Patterns: Premade MIDI loops ready for integration within your project
• Articulation: Round-robin sample triggering, multiple articulations in acoustic-modeled instruments, and assignable controls over articulations are all offered
• Layers, splits, and multitimbral sequencing: use and combine multiple instruments simultaneously how you see fit; assign instruments to different MIDI channels; split your keyboard among instruments via the Edit page
• Macro Panel: Provides eight extensive controls, all of them different depending on the instrument you intend to manipulate
• Mix Environment: Gives you an interface similar to a DAW for marking sounds within the engine itself

• Part and Return channels
• Master channel
• Edit Environment
• 3 distinct sample engines (STRETCH, Pitch-Shift/Time-Stretch, Resampling)
• Formant preservation via STRETCH engine
• 10 filters
• Assignable LFOs and envelopes
• All the sounds, loops, and patterns of SampleTank 3

• Art Deco Piano
• Brandenburg Piano
• Alan Parsons Imperial Grand
• Cinematic Percussion
• Future Synths
• American Acoustic
• Hugh Padgham Drums
• Terry Bozzio Drums
• Billy Cobham Drums
• Neil Peart Drums
• Nanotube
• NRG
• Power Up
• The Grid
• Chillout
• Deep House
• Drum’n’Bass
• Hardcore
• Indie Dance
• Minimal
• Techno
• Trance

• Amplification Section: American Vintage T, Amp Combo, British Tube Lead 2, Jazz Amp 120, Modern Tube Lead, SVT Classic
• Amp Components: Cabinet, Preamp, Tone Control
• Distortion: Overscream, Distortion, Crusher, Overdrive
• EQ and Dynamics: Black 76, Model 670, White 2A, Vintage EQ-1A, Compressor, Parametric EQ, EQ Comp, Limiter
• Modulation: Chorus C1, Opto Tremolo, Electric Flanger, Rotary Speaker, Uni-V, Small Phazer, AM Modulation, Multi Chorus, Chorus, Phaser, Env Flanger, Tremolo, Flanger, FM Modulation
• Reverb and Delay: Acoustic Resonance, Tape Echo, Hall Reverb, ConvoRoom, Plate Reverb, Reverb, Ambience, Reverb Delay, Delay, Spring Reverb
• Filters / Other: Piano Lid, Stereo Imager, Auto Pan, Multi Filter, LFO Filter, Phonograph, Env Filter, Slicer, Lo-Fi, Wah

• Works as a standalone application and a multi-platform plug-in (AAX, VST, and AU)
• Content structured in Instruments, Multis, and MIDI Patterns
• Compatible with Mac OS X and Windows
• 16 part multitimbral
• 16 individual stereo outputs
• Info view with specific information and 3D icon for each instrument
• Mix view and full-mix parameters control
• Live mode for quick sound-loading, organized into set-lists and songs
• Expandable instrument library via the Custom Shop
• Pad interface allows you to launch patterns, loops or single notes seamlessly from iRig Pads or any MIDI controller
• 55 effects
• Part Range Controls allows for creating splits and layers
• Edit view for in depth editing of all synth-engine parameters, independently for all the elements or articulations that are included in the instrument
• Instrument browsing
• BPM-syncable time-based effects, audio loop instruments, and LFOs
• Four play modes including mono legato with portamento
• Zone switch allows editing individual key-zones for the selected sound-element or articulation
• Multi-Articulation and Key Switch instrument control
• Easily assign MIDI-controls to any parameter with MIDI Learn
• Instrument and Multi saving
• Convenient search function for Instruments, Multis, and Patterns
• Compatible with all previous Powered-by-SampleTank sound modules and sounds (can import all previous sounds and Combis

• Over 58GB of 24-bit / 96 kHz samples
• Recorded and produced by jazz legend Miroslav Vitous
• Over 2700 instruments
• Includes the complete original Miroslav Philharmonik sound library optimized for more control with articulation switching and enhanced macros
• Multiple articulations per instrument with articulation switching
• Included ConvoRoom convolution reverb with 3D GUI
• 34 effects from SampleTank 3
• Four mastering processors from T-RackS
• DAW-like Mix interface
• Access to the instrument Edit page with three sample engines (including formant-preserving pitchshifting and timestretching engines), 10 filter types, and eight macro controls per instrument for quick multiparameter editing
• Based on SampleTank 3’s 64-bit engine
• Recorded at CNSO Studios in Prague
• Standalone workstation, DAW plug-in, or add-on instrument collection for SampleTank 3

• STRETCH
• Pitchshift/Timestretch
• Resampling

• Poly
• Mono
• Legato 1
• Legato 2

• Amp Components: Tone Control
• EQ and Dynamics: Black 76, Model 670, White 2A, Vintage EQ-1A, Compressor, Parametric EQ, EQ Comp, Limiter
• Modulation: Chorus C1, Electric Flanger, Rotary Speaker, Uni-V, Small Phazer, Chorus, Phaser, Tremolo, Flanger
• Reverb and Delay: Acoustic Resonance, Tape Echo, Hall Reverb, ConvoRoom, Plate Reverb, Reverb, Ambience, Delay, Spring Reverb
• Filters / Other: Piano Lid, Stereo Imager, LFO Filter, Phonograph, Env Filter, Slicer, Lo-Fi

• Physically modeled electric bass virtual instrument—no samples used to recreate virtually every electric bass sound imaginable
• Utilizes modal synthesis technology and an optimized sound engine to model each string as a nonlinear resonator
• Modify your instrument and playing approach to create completely unique sounds in real time based on construction and components of bass combined with player technique, finesse, and ever-changing dynamic

Includes 14 iconic basses that span the history of electric music.  Each bass model was chosen for its particular timbre and wood tone, and every detail of the instrument’s performance has been meticulously modelled and recreated.

• 60s P-Bass: Based on Fender Precision Bass (alder body)
• 70s P-Bass: Based on Fender Precision Bass (ash body)
• 70s J-Bass: Based on Fender Jazz Bass (alder body)
• Modern J-Bass: Based on Fender Jazz Bass (alder body)
• Devil Bass: Based on Gibson EB-0
• Bass Man 5: Based on Music Man StingRay 5-string
• Rick n’ Bass: Based on Rickenbacker 4003
• Studio Bass: Based on Yamaha TRB5P
• Violin Bass: Based on Hofner Violin
• Thunder Bass: Based on Gibson Thunderbird
• Japan Bass: Based on Ibanez Soundgear
• Flame Bass: Based on Warwick Streamer
• Metal Bass: Based on Dingwall Combustion NG2 5-string
• Imperial Bass: Based on Fodera Custom 6-string

Play Style function is your physically modeled playing hand—lets you choose and modify the way you approach and play the instrument

• Finger option selects the finger style of bass playing—change which fingers you play with and how much force you use on the strings
• Slap option recreates the act of slapping and pulling the bass strings with the thumb and fingers—every stroke will sound slightly different
• Pick option gives you major transient attack on the string—choose the physical thickness of the pick, plus the picking style, downstroke or alternating
• Mute option lets you apply muting techniques to any playing style—add just the right amount of damping of the strings producing the human-touch element of bass technique
• Adjust where you play on the strings—closer to the bridge for a more pronounced upper frequency tone, closer to the neck for a rounder tone

Customize your string choice—different strings provide different sounds and tonal qualities

• Choose the actual number of strings (4, 5, or 6)—determines the note scale range of the bass
• Choose the gauge of the string set—affects timbre and sustain
• Choose the age of the strings—changes the relative brightness of the tone
• Choose the physical construction of the strings (round wound, flat wound, etc.)—changes the type of slide noise introduced when moving up and down the neck
• Choose the bass physical scale length as well as the action, or physical distance between the strings and the fretboard

Customize pickups and wiring of the bass—experiment in real-time with different types of bass pickups and the position of each one (each bass can have up to two pickups)

• Choose from 24 individual pickup models
• Tweak the frequency response parameters of each pickup
• Freely move the pickups around in the pickup area
• Piezo pickup control option—lets you blend an under-bridge mounted piezo signal with your pickup signal
• Adjust the overall pickup output with the tone control
• Switch the electronics from passive to active
• Parametric EQ lets you fine-tune your tone

Full control over the signal path gives you sonic options for bass tone shaping and effects

• 7 stompbox effects—octaver, distortion, chorus, compressor, delay, envelope filter, graphic EQ (derived from models in AmpliTube Custom Shop)—configurable in a 4-slot chain
• Classic all-tube amplifier and 1×15 cabinet
• Powerhouse solid-state model with 4×10 cabinet
• Each amp gives you control over gain structure, EQ (with mid-frequency adjustment on the tube amp), and a graphic EQ

Critical parameters can be automated in real time via MIDI control

• Adjust vibrato, playing style, mute technique, and amount of slide technique
• Keyswitching allows you to switch on the fly between chord mode and note mode, the type of stroke used playing, which fingers are used, and which method of playing is used
• Full MIDI control with MIDI learn
• Use your DAW’s automation to control parameters while you perform

• Optimized, resizable interface
• FX and amp global bypass for routing
• Small memory footprint
• Works as a 64-bit plug-in or standalone instrument for Mac/Windows

• Emulation of a well-known American Vari-Mu tube compressor celebrated for its warm sound and vivid, colored tone

• Automatically matches the sound of your songs with up to three different source tracks used as a reference

• 10-band parametric equalizer with transparent sound
• Precise editing using a vast array of filter shapes based on the typical curves of classic British and American analog EQs

• All-in-one solution for easily crafting final masters or shaping the sound of single tracks
• Easily mix subgroups
• Includes a compressor, EQ, harmonic exciter, low-end enhancer, and limiter

• Suite of metering tools that provide immediate and complete visual information about the content of your audio material
• Precision loudness LUFS meter, compliant with all leading professional reference standards
• Peak, RMS, and Dynamic Range meters
• Spectrogram, real-time analyzer, phase, and correlation meters
• VU/PPM meters
• Mid-Side meters
• Metering suite can be launched as a separate floating window

• Multimode harmonic saturation processor

• Microphone modeling module

• Ultra-transparent mastering inter-sample peak limiter

• Discrete proportional-Q 3-band equalizer and preamp

• Discrete proportional-Q 4-band equalizer and preamp

• Discrete proportional-Q 10-band graphic equalizer and preamp

• Discrete Class-A preamp and equalizer

• Discrete preamp and equalizer

• World-class, high-performance discrete mastering equalizer

• Discrete Class-A dynamics processor

• Mixbus compressor

• Modern channel strip

• Vintage tape delay

• Solid-state channel strip

• FET compressor/limiter

• Tube opto-compressor/limiter

• Vari-Mu compressor/limiter

• Multiband compressor

• Multiband limiter

• Multiband stereo imager

• Multiband de-esser

• Classic analog tube-based EQ

• Optical-based compressor

• Intelligent, multi-algorithm limiting

• High-precision, high-definition EQ

• Large acoustic hall reverb

• Dense metal plate reverb

• Acoustic room reverb

• Envelope-controlled reverb

• Analog-modeled compressor

• Mastering soft clipper

• Three-band mastering limiter

• Analog-modeled EQ

• Four new powerful modules: Master Match, Dyna-Mu, EQual, ONE
• Fully redesigned, fully resizable, flexible interface with faster workflow
• New audiophile-grade audio engine, completely improved from input to output
• Supports audio up to 192 kHz / 32-bit floating point
• Offers four dithering options to optimize the dithering noise when reducing the bit depth of your tracks
• Enhanced, extensive broadcast-ready professional metering tools
• Album assembly section with waveform editing, metadata, and multiformat file export
• Signature presets from the industry’s top engineers

• Includes 38 T-RackS audio processor modules
• Works as a standalone application and as a plug-in
• Easy to use with style-based presets, full chain visualization, one-click, single-module, or chain bypass, compare function, and more
• Configurable mixing/mastering chain—run up to 16 processors in parallel/series
• High-quality oversampling for high-quality audio processing through the entire signal path
• High-precision and high-transparency digital processors
• Accurate digital models of vintage analog hardware devices—uses the company’s DSM and SCC technologies
• Full latency compensation support
• Module presets and global presets
• Multiple-curve fade in and out (standalone only)
• Multiple Snapshots, independent for each audio file (standalone only)
• Supports multiple input and output audio formats (WAV, AIFF, SDII, MP3), sampling rates, and resolutions
• High-quality sampling rate and bit-depth converters
• Single or multiple audio file processing (standalone only)
• Standalone integration with ARC System 2.5 processing (available separately)
• Compatible with ASIO Core Audio devices in standalone mode
• Requires 64-bit applications and operating systems
• Custom Shop functionality lets you purchase additional modules from within the program

• Orange
• Fender
• MESA/Boogie
• Ampeg
• ENGL

• Fender amplifiers
• Orange amplifiers
• MESA/Boogie amplifiers
• Jimi Hendrix Anniversary Collection amplifiers
• Ampeg amplifiers
• AmpliTube Metal amplifiers
• AmpliTube 4 amplifiers

• 4×12 Brit 8000
• 4×12 Brit 9000
• 4×12 Red Pig
• 4×12 Brit Silver
• 4×10 Open Vintage
• 2×12 Closed Vintage
• 4×12 Closed Vintage
• 4×12 Recto Traditional Slant
• 2×12 Rectifier Horizontal
• 1×12 Mark III
• 1×12 Mark IV
• 2×12 TA-30
• OBC115 1×15
• OBC410 4×10
• OBC810 8×10
• PPC112 1×12
• PPC212 2×12
• PPC212 Open-Back 2×12
• PPC412 4×12
• Tiny Terror 1×12 combo
• AD30TC 2×12 combo
• And many more

• Double Dynamic 57
• Dynamic 57
• Condenser 414
• Condenser 87
• And many more

• Digital Delay
• Parametric EQ
• Rotary Speaker
• Tube Compressor
• Triangle Chorus
• Tape Echo
• Tap Delay
• Swell
• Stereo Enhancer
• Sine Flange
• Fender ’63 Reverb
• Harmonator
• Rezo
• And more

Pedals include:

• Acoustic Sim
• Chorus
• Flanger
• Opto Tremolo
• Delay
• Wah Pedal
• Diode Overdrive
• Compressor
• Graphic EQ
• Volume Pedal
• All pedals in AmpliTube Fender
• All pedals in AmpliTube Metal
• All pedals in Ampeg SVX
• All pedals in AmpliTube Jimi Hendrix Anniversary Edition

• 29 in total

The amplifier/cabinet combinations in AmpliTube MAX utilize Sponge and Sag processing to replicate in a more faithful manner the dynamic interaction between the power amp and the speakers, aiming to eliminate the harshness found in the upper frequencies of other software

AmpliTube MAX features an Acoustic Sim pedal that aims to transmute your electric guitar into an acoustic; it is tweakable with onboard controls and features three styles of acoustic body and body tops

AmpliTube MAX has a slot in the signal chain right after the preamp section but before the power stage; this slot lets you add in up to four daisy-chained effects (including all of the stompboxes) for signal processing before hitting the power section

You can use many of the stompbox and rack effects in any of the rack effects slots; conversely, you can use rack effects in the stompbox slots too

AmpliTube MAX can operate as an 8-channel DAW, allowing you to capture, loop, edit, mix, and export audio in the stand-alone application

Dubbed the Super Looper, this feature is a 4-part looping station suitable for laying down multi-part backing tracks; each track includes level and panning controls and can be instantiated by MIDI-foot controller or mouse-click

AmpliTube MAX features an upgraded tune section, which delivers accuracy down to 0.01 of a cent

• Brit 8000 (based on the JCM800)
• Brit 9000 (based on the JCM900)
• Red Pig (based on the Marshall Major)
• Brit Silver (based on the Silver Jubilee)
• Brit Valve-Pre (based on the JMP-1)

• 3D Room environment emulation
• Select different speaker cabinets from different amps
• Change individual speakers in the same cabinet
• Dual-Mic Placement on any speaker in the cabinet
• 18 microphones can be used in the Cab Room (three standard, 15 available in Custom Shop)
• 29 individual speaker models
• 6 different room scenes
• Cabinet Mixer section to fine-tune and mix all elements

Eight different series/parallel routing options give you flexible signal chain control, allowing you to configure and customize stereo and mono tones as you see fit; additionally, you can select and customize different configurations on the fly as you see fit

Any AmpliTube chain can be saved, organized, and recalled through the preset browser, and then triggered—via universal MIDI control—during live performances or studio sessions, thus enabling you to switch entire amp-sounds throughout your gig or record on the fly

• Double Dynamic 57
• Dynamic 57
• Condenser 414
• Condenser 87

• Up to 96 kHz sample rate supported
• DAW automation and BPM Synchronization
• Preset database with multiple guitar- and bass-oriented tags, keywords, as well as advanced search
• Online sharing service for user presets called Preset XChange
• Integration with IK’s range of audio interfaces and controllers such as iRig HD, iRig Pro, iRig 2
• Export loops to hard drive and import into the DAW section; import audio to track 1 in looper for playing over backing track loop
• Imports any WAV, AIFF, SD2, Apple CAF, FLAC, or MP3 audio file (standalone version)
• SpeedTrainer for speeding up/slowing down imported tracks without affecting the pitch – useful for practicing and transcribing (standalone version)

• Virtual gear collection for use with AmpliTube Custom Shop plug-in
• Officially licensed by Ampeg
• 3 x amps (SVT-VR, V-4B, HERITAGE B-15N)
• 3 x matched cabinets (SVT-810AV, SVT-212AV, B-15N 115)
• Accurate emulations of the original Ampeg amps and cabinets using the company’s Dynamic Interaction Modeling technology
• Perfect companion for MODO BASS electric bass virtual instrument plug-in (available separately)
• Runs from within any version of AmpliTube 4.3 or later (free or paid version)
• Expandable via the AmpliTube Custom Shop

• Arena-ready bass powerhouse with six 6550 output tubes gives you all the growl you might ever need
• Used by bass players such as Bootsy Collins, Tony Levin, Chris Squire, Pino Palladino, and Bill Laswell, to name a few
• The SVT-VR is a vintage reissue of an early 1970’s Blue-Line SVT head
• The preamp stage, power section, and rocker switches emulate the exact signal path, tone, and vibe of the original rock ’n’ roll workhorse

• An all-tube legend
• 100W All-Tube Bass Head is a reissue of the legendary 1971 original
• Delivers the pure tube vintage sound, attitude, and unmistakable grind that earned this classic amp a place in bass history

• One of the most recorded bass tones
• Two distinct, switchable 1964 and 1966 channels
• Flexible Baxandall-type bass and treble EQ controls along with selectable cathode bias (1964) or fixed bias (1966) modes

• “The Fridge”, classic Ampeg stack that you see on stages worldwide
• Powerful, tight, and focused bass sound
• Infinite Baffle design has stayed the same since 1969 and delivers that punchy, round sound that defines the iconic Ampeg tone

• Pure Ampeg tone in a ported cabinet design
• Combines the fast transient response that cuts through mixes with the rich low end you aim for
• 2 x 12″ custom Eminence LF drivers and a 1″ compression driver
• 3-way level control in a rugged cab with classic vintage Ampeg styling

• The perfect companion of the HERITAGE B-15N
• 15″ 300W Eminence speaker that delivers pure, full-bodied, and vintage-sounding tone, reminiscent of the good old 60s
• Suits most musical genres both in the studio and on stage

• Separate versions for Mac/Windows and iOS
• Mac/Windows version works in standalone mode or as a plug-in for your DAW
• 25 pre-made “Styles” created by Gavin Lurssen and his team, reproducing settings and gear used to master pop, hip-hop, rock and other genres
• 3 easy-to-navigate displays: Studio view with controls, Waveform view, and Chain view for individual processors
• Input Drive knob, linkable for stereo balance tweaks
• 5-band EQ with fixed frequency as dictated by preset
• “PUSH” Knob to subtly enhance selected song passages via uniform EQ adjustment
• Full automation of audio-content adjustment
• Input/Process assignable VU metering
• Stereo/Mono monitoring capability
• 88.2/96 kHz DSP processing
• Audio import from iPhone / iPad music library
• Drag & Drop file import mode (Mac/Windows version)
• Resizable GUI for Mac/Windows platforms
• Project file compatibility between Mac/Windows and iPhone/iPad