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The Exponential Audio Everything Bundle from iZotope gives you every Exponential Audio product that iZotope currently offers. This includes Stratus, Stratus 3D, R2, R2 Surround, R4, Symphony, Symphony 3D, and Excalibur. With all of these reverbs at your command, you’ll have an algorithmic tool for every music and post-production scenario one could encounter in the realm of mixing.
All of these plug-ins are compatible with Mac and Windows platforms. They can operate in AU, VST, and AAX formats. An iLok account is required for authorizing these plug-ins, though an iLok key is not strictly necessary.
Available for download, Exponential Audio Excalibur from iZotope is a plug-in offering multiple effects, including flanging, phasing, delays, pitch effects, and combinations of each.
The plug-in offers four voice oscillators, each of which can be modulated independently. Not only that, they can be set to influence other voices inside the plug-in, thereby creating esoteric effects for your mix.
Use this plug-in for outlandish or subtle purposes. You can create ear-catching pitchshifted delays, yes, but you can also use Excalibur in post-production scenarios to recreate natural phenomena. Say you have ADR dialogue that needs to sound as though it were recorded in a cavern; you could use Excalibur to recreate flutter echoes and other acoustic anomalies that bring realism to film and TV work.
The plug-in uses a relatively low amount of CPU when judged against the amount of effects it can produce. This means you can use multiple instances in a single mix or even play with the effect live if you use your DAW during your concert experiences.
This product is compatible with Mac and Windows platforms. It operates in AU, VST, and AAX formats. An iLok account is required for authorizing the plug-in, though an iLok key is not strictly necessary.
Available for download, Exponential Audio R4 from iZotope is an algorithmic reverb that provides a colorful sound, one suitable for music production and mixing. This reverb traces its lineage back to the classic Lexicon units of earlier ages, and you can hear that heritage in the reverb’s sound.
You’ll also note the tweakable interface, with many different parameters in the Early Reflection, Reverb Attack, and Reverb Tail tabs. Use these sections to tailor the reverb perfectly for any given situation.
A Chorus section adds modulation, and you can separately dictate how the modulation effects the tails or early reflections on an individual bases. A Warp tab offers compression, overdrive, bit-reduction, and more. Use the Gate tab to create classic, gated reverb sounds, or automate the Freeze button to achieve momentary experimental sounds.
Whether you’re looking for halls, chambers, rooms, or plates, R4 has an algorithm for you. Browse through them all by keyword, or click the magnifying glass in the top right of the GUI to enter terms for the search. Over 1200 presets are provided in total.
This product is compatible with Mac and Windows platforms. It operates in AU, VST, and AAX formats. An iLok account is required for authorizing the plug-in, though an iLok key is not strictly necessary.
Available for download, Exponential Audio NIMBUS from iZotope is an algorithmic reverb that provides an inherently musical sound, one that can be tweaked surgically or mangled colorfully to suit the needs of your mix. This reverb provides dedicated and comprehensive controls over both early reflections and reverb tails, so that you can tailor each time-based effect for your exact mix.
Note the Keyword and Preset section in the top right of the GUI; here you can find over 1200 presets categorized by type. Click on the magnifying glass above this section, and you can search for verb presets by typing in your own terms. So, whether you’re a post-production engineer looking for a canyon—or a music mixer looking for a vocal plate—the reverb can be equally useful.
Tabs are provided for the verb’s Attack, Tail, Early Reflections, and Warp parameters. Each tab reveals a page full of parameters. Whether you need to temper early reflections, or add overdrive and compression for character via the warp page, Nimbus will nimbly let you accomplish the task at hand.
This product is compatible with Mac and Windows platforms. It operates in AU, VST, and AAX formats. An iLok account is required for authorizing the plug-in, though an iLok key is not strictly necessary.
Available for download, Exponential Audio PhoenixVerb from iZotope is an algorithmic reverb that provides an inherently clean and neutral sound, one that can be tailored for all music mixing needs. This reverb provides dedicated controls over early reflections, overall reverb attack, and late tails, so that you can tailor this time-based effect for your tune.
Note the Keyword and Preset section in the top right of the GUI; here you can find over 900 presets categorized by type. Click on the magnifying glass above this section, and you can search for presets by typing in your own terms.
Tabs are provided for the verb’s attack, tail, and early reflection parameters. Each tab reveals a page full of parameters. Whether you need to temper early reflections, change the dimension of the space, or manipulate diffusion characteristics, your reverb needs shall be met.
This product is compatible with Mac and Windows platforms. It operates in AU, VST, and AAX formats. An iLok account is required for authorizing the plug-in, though an iLok key is not strictly necessary.
Available for download, Exponential Audio PhoenixVerb Surround from iZotope is an algorithmic reverb that provides an inherently clean and neutral sound. Whereas the stereo version of PhoenixVerb is primarily used in music mixing, this reverb operates in formats up to 7.1 surround.
That feature, alongside an inherently transparent and tweakable sound, makes PhoenixVerb Surround suitable for post-production and sound design. Use it to bring a realistic ambience and depth to ADR dialogue or Foley sounds.
You’ll find global controls over predelay and input filtering. Tabs are provided for the verb’s attack, tail, and early reflection parameters. Each tab reveals a page full of parameters. Whether you need to temper early reflections, change the dimension of the space, or manipulate diffusion characteristics, your reverberating needs shall be met.
A balance tab is on hand to ensure you can tweak the signal for each channel independently. This section offers controls over levels and delays on a per-channel basis. You’ll also note the 3D tab, which provides connectivity for more complex multichannel mixes.
Note the Keyword and Preset section in the top right of the GUI; here you can find over 900 presets categorized by type. Click on the magnifying glass above this section, and you can search for presets by typing in your own terms.
This product is compatible with Mac and Windows platforms. It operates in AU, VST, and AAX formats. An iLok account is required for authorizing the plug-in, though an iLok key is not strictly necessary.
Available for download, Exponential Audio R2 from iZotope is an algorithmic reverb that provides a colorful sound, one suitable for music production and mixing. This reverb traces its lineage back to the classic Lexicon units of earlier ages, and you can hear that heritage in the reverb’s sound.
However, you’ll also note the tweakable interface, with dedicated parameters in Early Reflection, Reverb Attack, and Reverb Tail tabs. To liven up the proceedings even more, there’s a Chorus section to add modulation and a Gate tab for creating classic gated reverb sounds.
Whether you’re looking for halls, chambers, rooms, or plates, R2 has an algorithm for you. Browse through them all by keyword, or click the magnifying glass in the top right of the GUI to dictate the terms of search. Over 1200 presets are provided in total.
This product is compatible with Mac and Windows platforms. It operates in AU, VST, and AAX formats. An iLok account is required for authorizing the plug-in, though an iLok key is not strictly necessary.
Available for download, Exponential Audio Stratus from iZotope is an algorithmic reverb that can add depth, dimension, and even complexity to sound sources. The plug-in offers support up to 7.1 surround, and as such, you’ll find it suitable for both music and post-production contexts.
Stratus provides comprehensive controls separated into tabs. Click the Early Reflections tab, and you can tailor the sound to your needs in highly specific ways. Click the Tails tab, and you’ll find a whole new set of controls over the late reflections. You’ll also see three sets of input filtering, providing high-, low-, and band-pass filtering on global inputs, early reflection inputs, and tail inputs.
A Warp tab lets you add compression and overdrive, and also facilitates other effects, such as bit-reduction for a vintage-digital sound. Lastly, a Balance tab is on hand to ensure you can tweak the signal for each channel independently. This section offers controls over levels and delays on a per-channel basis. Go into this tab when you want to create compelling soundscapes for surround-sound formats.
Whether you’re looking for halls, chambers, rooms, plates, or exterior landscapes, Stratus has a reverb for you. Browse through them all by keyword, or click the magnifying glass in the top right of the GUI to dictate the terms of search. Over 1700 presets are provided in total, many of them for music, many of them for post-production, and many more suitable for both contexts.
This product is compatible with Mac and Windows platforms. It operates in AU, VST, and AAX formats. An iLok account is required for authorizing the plug-in, though an iLok key is not strictly necessary.
Available for download, Exponential Audio Stratus 3D from iZotope is an algorithmic reverb that can add depth, dimension, and even complexity to sound sources. The plug-in offers 24-channel support, and as such, you’ll find it equally useful in music and post-production contexts. Whether you’re preparing audio for surround sound formats (up to 7.1), Atmos, or Auro-3D, this reverb can provide an intuitive, yet tweakable interface, as well as a pleasurable sound.
Stratus 3D provides comprehensive controls separated into tabs. Click into the Early Reflections tab, and you can tailor the sound to your needs in highly specific ways. Click into the Tails tab and you’ll find a whole new set of controls over the late reflections. You’ll also see three sets of input filtering, providing high-, low-, and band-pass tweaking on global inputs, early reflection inputs, and tail inputs respectively.
You’ll note two different Balance tabs: TopBalance and MainBalance. These two tabs have been separated to give you a free-hand in the height dimension. Flip between the two to manipulate parameters for sound emanating above your head, or sound emanating more towards your feet.
Both of these sections offer controls over levels and delays on a per-channel basis. Go into this tab when you want to create compelling soundscapes for surround-sound formats.
Lastly, a Warp tab lets you add compression and overdrive. This tab also facilitates other effects, such as bit-reduction for a vintage-digital sound.
Whether you’re looking for halls, chambers, rooms, plates, or exterior landscapes, Stratus 3D has a reverb for you. Browse through them all by keyword, or click the magnifying glass in the top right of the GUI to dictate the terms of search. Over 1700 presets are provided in total, many of them for music, many of them for post-production, and many more suitable for both contexts.
This product is compatible with Mac and Windows platforms. It operates in AU, VST, and AAX formats. An iLok account is required for authorizing the plug-in, though an iLok key is not strictly necessary.
Available for download, Exponential Audio Symphony from iZotope is an algorithmic reverb that can add character and color to sound sources. This plug-in offers support up to 7.1 surround. As such, you’ll find it suitable for both music and post-production contexts.
Exponential Audio plug-ins trace their origin in the classic Lexicon units of yesteryear. This plug-in certainly expands upon that sound, adding color as well as dimension to your signals.
Symphony provides comprehensive controls separated into tabs. Click into the Early Reflections tab, and you can tailor the sound to your needs in highly specific ways. Click into the Tails tab, and you’ll find a whole new set of controls over the late reflections. You’ll also see three sets of input filtering, providing high-, low-, and band-pass tweaking on global inputs, early reflection inputs, and tail inputs respectively.
A Warp tab lets you add compression and overdrive, and also facilitates other effects, such as bit-reduction for a more vintage, digital sound. A Chorus section adds modulation, and you can separately dictate how the modulation effects the tails or early reflections on an individual bases. Other features abound: Use the Gate tab to create classic, gated-reverb sounds, or automate the Freeze button to achieve weird, momentary effects.
Lastly, a Balance tab is on hand to ensure you can tweak the signal for each channel independently. This section offers controls over levels and delays on a per-channel basis. Go into this tab when you want to create compelling soundscapes for surround-sound formats.
Whether you’re looking for halls, chambers, rooms, or plates, Symphony has a colorful reverb for you. Browse through them all by keyword, or click the magnifying glass in the top right of the GUI to dictate the terms of search. Over 1700 presets are provided in total, many of them for music, many of them for post-production, and many more for both contexts.
This product is compatible with Mac and Windows platforms. It operates in AU, VST, and AAX formats. An iLok account is required for authorizing the plug-in, though an iLok key is not strictly necessary.
Available for download, Exponential Audio Symphony 3D from iZotope is an algorithmic reverb that can add character and color to sound sources. The plug-in offers 24-channel support, and as such, you’ll find it equally useful in music and post-production contexts. Whether you’re preparing audio for surround sound formats (up to 7.1), Atmos, or Auro 3D, this reverb can provide an intuitive yet tweakable interface as well as a pleasurable sound.
Exponential Audio plug-ins trace their origin to the classic Lexicon units of yesteryear. Symphony 3D certainly expands upon that sound, adding color as well as dimension to your signals.
Symphony 3D provides comprehensive controls separated into tabs. Click into the Early Reflections tab, and you can tailor the sound to your needs in highly specific ways. Click into the Tails tab and you’ll find a whole new set of controls over the late reflections. You’ll also see three sets of input filtering, providing high-, low-, and band-pass tweaking on global inputs, early reflection inputs, and tail inputs respectively.
A Warp tab lets you add compression and overdrive, and also facilitates other effects such as bit-reduction, for a more vintage, digital sound. A chorus section adds modulation, and you can dictate how modulation effects the tails or early reflections on an individual basis. Other features abound: use the Gate tab to create classic, gated-reverb sounds, or automate the Freeze button to achieve weird, momentary effects.
Whether you’re looking for halls, chambers, rooms, or plates, Symphony 3D has a colorful reverb for you. Browse through them by keyword, or click the magnifying glass in the top right of the GUI to search. Over 1700 presets are provided in total, many of them for music, many of them for post-production, and many more suitable for both contexts.
This product is compatible with Mac and Windows platforms. It operates in AU, VST, and AAX formats. An iLok account is required for authorizing the plug-in, though an iLok key is not strictly necessary.
Both of these sections offer control over levels and delays on a per-channel basis. Go into this tab when you want to create compelling soundscapes for surround-sound formats.
