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iZotope RX Post Production Suite 4 – Software Bundle (Upgrade from Dialogue Match, Download)

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$1,499.00

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SKU: 1143-1095 Category: Brand:

Description

iZotope’s RX Post Production Suite 4 combines Neutron 3 Advanced, RX 7 Advanced, Insight 2, Dialogue Match, and other tools to help facilitate the post production process.

RX 7 Advanced gives you a spectral editor for zeroing in on troublesome audio and includes a plethora of modules that can help you mitigate sonic issues anywhere in the frequency spectrum. It provides a Repair Assistant which intelligently analyzes audio and suggests corrections.

Neutron 3 provides a refined track assistant and a tailored limiter that meets broadcast specifications. Also provided are a noise gate, a sculpting module, and surround support. RX Loudness Control is included to help you meet your broadcast levels.

Insight 2 is a comprehensive metering suite with customizable controls for loudness, frequency, stereo-field monitoring, and dialogue intelligibility. Integrated, short-term and momentary LUFS meters are provided as well as a loudness history graph that can be copied and pasted into text documents. You can also complement your resulting mix by exporting a detailed history report with detailed loudness data and a graph for clients in the broadcast world. For your convenience, the GUI is resizable, so you can make it as big or small as you’d like.

Dialogue Match has been included to help you match ADR to on-set dialogue, quickly and easily. Two fully immersive Exponential Audio reverbs are also included: Stratus 3D and Symphony 3D.

This software operates in AAX, AU, VST, and RTAS formats, except for Dialogue Match, which is only compatible with Pro Tool’s AudioSuite. This software is compatible with Mac and Windows platforms.

iZotope RX 7 Advanced – Audio Restoration and Enhancement Software (Download)

Available for download, iZotope RX 7 Advanced is the latest update to their audio-repair software, which is considered a staple within the recording, mastering, and audio-for-video, post-production communities. The software can operate either as a standalone application or plug-in for both Mac- and Windows-based DAWs and NLEs. From fixing common audio problems like noises, distortions, and inconsistent recordings, to repairing severely damaged audio using Spectral Repair, the software can transform previously unusable audio into something usable.

The advanced edition of RX 7 takes nearly all of the modules provided in RX 6 Advanced and implements a graphic overhaul more in line with iZotope’s current aesthetic. You’ll also find many new and powerful modules, including Dialogue Contour, Dialogue De-reverb, Variable Time, Variable Pitch, Music Rebalance, and the Repair Assistant.

Dialogue Contour can fix the intonation of an otherwise usable line of dialogue, while Dialogue De-reverb can intelligently separate unwanted ambiance from an otherwise wonderful vocal take Variable Time lets you change the time stretch of an audio selection without affecting its pitch, while Variable Pitch does the opposite, allowing you to adjust the pitch of an audio selection without negatively impacting its duration. Previously, these processes were combined into one module.

Music Rebalance analyzes a full mix of music and allows you to rebalance the levels of its bass, vocals, drums, and harmonic content, doing so with four dedicated sliders. Do you have a bit of background music whose vocal line interferes with the dialogue? Use the Music Rebalance module to lower the offending vocal. Need to beef up the bass in an anemic mix that came your way? Use this tool to emphasize the bass with the bass slider.

Repair Assistant takes the concept behind iZotope’s Mixing and Mastering Assistants and applies them to the restoration of audio. Simply select the audio you need to process, click on the Repair Assistant button, and let the program analyze your audio. It will offer you three options for processing (light, medium, and aggressive), and you can choose among them after auditioning each one. Next, hit render, and the Repair Assistant will automatically fix the issue.

All of the tools work as they did in earlier versions of RX, allowing you to paint away audio problems on the spectrogram. Multichannel processing is now available up to Dolby Atmos (7.1.2). Many algorithms which did not provide real-time preview now do, which makes working a bit faster. Additionally, many modules which did not previously work as plug-ins within your DAW or NLE now will.

High-quality resampling and dithering are once again provided, as is batch processing. A detailed spectrum analyzer detects peaks automatically, and a suite of automatic, intelligent modules reduce manual tasks in the audio production workflow. RX 7 can be used as a standalone audio editor (including standalone but connected to your host via RX Connect or as your DAW’s audio editor, in the case of Logic Pro), though much of it can be used as a suite of plug-ins.

New Features

Variable Time

Adjust the time-stretch amount of an audio selection without altering its pitch.

Variable Pitch

Adjust the pitch of an audio selection while preserving the time and length.

Music Rebalance

Identify vocals, bass, percussion, and other instruments in a mix, and adjust the gain for each element. Isolate or remove vocals. This module is also available as an Avid AudioSuite plug-in.

Repair Assistant

Repair Assistant is an intelligent tool that detects noise, clipping, clicks, and more, allowing you to solve audio-restoration issues quickly and effectively. After analyzing any snippet of audio you select, it will provide three different options for processing, and let you make the ultimate choice.

Dialogue Contour

Using this module, you can reshape the intonation of dialogue to rescue or improve a performance in post production. The module utilizes pitch correction processing tailored to speech and designed to adjust inflection, allowing you to match phrases of dialogue that would not otherwise gel.

Dialogue De-reverb

Reduce and remove unwanted reverb from dialogue clips using this algorithm trained with machine learning and optimized to separate spoken dialogue from reverberant signal content. You can use this as one more tool in the arsenal before resorting to ADR.

Multichannel Support

Tackle audio issues that appear in any or every surround channel up to Dolby Atmos (7.1.2)

General Features

De-rustle

The De-rustle module removes the noise or rustle generated when a lavalier microphone rubs or brushes against a person’s clothing during a recording. Lav rustle can vary unpredictably over time, exhibiting a wide variety of sonic characteristics in the process (high-frequency crackling and low-frequency thuds); this module significantly ameliorates the problem.

De-wind

This module allows you to reduce—and sometimes remove—distracting wind noise from audio, addressing primarily the low-frequency rumble that occurs when intermittent bursts of wind come into contact with a microphone diaphragm.

Dialogue Isolate

The Dialogue Isolate module is designed to separate spoken dialogue from non-stationary background noise such as crowds, traffic, footsteps, weather, and more. It is suitable for increasing the level of dialogue in challenging low signal-to-noise ratio conditions.

Composite View

Composite View allows you to edit and apply processing to 16 individual audio tracks as if they were one, easily addressing audio issues that appear across multiple microphones. The Composite View feature in the RX Audio Editor combines all active tabs into one Composite tab that allows you to apply the same processing to multiple files simultaneously. Composite View can be used to increase expediency when performing repetitive spectral-editing functions. This makes it particularly useful when making repairs in recording situations with multiple microphones or repairs to multichannel files.

De-bleed

Working across multiple tracks, the De-bleed module reduces the leakage of one signal into another. De-bleed can help reduce or eliminate bleed from headphones, click tracks, multiple mics with small amounts of cross bleed, and even some drum bleed issues.

De-ess

The De-ess audio plug-in and module in iZotope RX 7 attenuates or reduces sibilance—the harsh high-frequency sounds that come from S, F, X, SH, and soft C sounds. Two modes for handling sibilance are provided: Classic Mode detects sibilants and attenuates them with a broadband gain envelope. Spectral Mode is more transparent, intelligent, and frequency-specific than Classic Mode. Spectral Mode only attenuates the high frequencies where sibilance is most active, leaving the lower frequencies untouched.

Mouth De-click

The Mouth De-click module has been finely tuned to detect and reduce mouth noises such as clicks and lip smacks—many listeners’ worst nightmare. It’s designed for use on longer audio selections, but it can be used to remove individual clicks.

Breath Control

The Breath Control module intelligently detects breaths in dialogue or vocal recordings and suppresses them. Removing and reducing breaths in recordings can be a time-consuming process for dialogue editors and music producers alike. Breath Control can help reduce the time spent on repetitive editing without sacrificing audio quality.

Separated Voice De-noiser

The zero-latency Voice De-noise has been designed to focus on dialogue and sung vocal treatment. Voice De-noise has an Adaptive mode that can adjust to a changing noise floor in real time, making it ideal for dialogue denoising. Also added are optimization modes for dialogue and music. When optimized for music, Voice De-noise excels at attenuating unwanted background noise from like air conditioners and street noise from sung vocals in apartment recording situations.

Key Features at a Glance

  • De-plosive eliminates every plosive from any dialogue track with transparency
  • Leveler smooths any volume inconsistencies with an automatic clip-gain envelope; leveler is optimized for dialogue using intelligent De-breath and De-ess algorithms
  • Instant Process tool is a one-click eraser for removing unwanted coughs, scene-interrupting sirens, and more
  • Module Chain can process multiple modules at once, save your customized chains as presets, and execute them all with a single click, enhancing workflow and reducing mouse clicks
  • Sync and integrate the RX Audio Editor with any DAW or NLE timeline using RX Connect
  • Pro Tools support for clip-by-clip and handles, which preserves the boundaries of clips, allowing for simpler conformation to future picture changes
  • Corrective EQ for removing harsh high frequencies, whines, rumbles, resonances, and distortion artifacts, and for accurately homing in on any problem-frequency areas
  • Sixty problem-oriented presets across several modules
  • Signal Generator creates accurate test tones, calibration tones for post-production delivery specs, and bleep tones for eliminating obscenities in dialogue
  • Markers and regions (search) provide greater flexibility for those longer edits, with the ability to perform text-based searches of any markers, regions, and comments in the metadata of the audio
  • Turn flawed audio into usable material by removing noises, distortions, and more
  • Edit audio with visual editing techniques using precision drawing tools, such as a brush and magic wand
  • Salvage unusable material by filling in audio gaps instantly with Spectral Repair
  • Seamlessly integrates with audio- or video-editing software, both as a standalone application or plug-in
  • EQ Match allows for quickly learning the EQ of a source audio clip and applying that EQ curve to a target audio clip, enabling sonic balance and smooth transitions between multiple audio sources with different EQ qualities
  • Ambience Match for matching the environment noise of two different audio recordings
  • Learn the ambient noise from a source audio clip and apply it to another audio clip, and create long sections of constant ambient noise to insert under inconsistent dialogue recordings
  • Loudness module processes whole program mixes or segments to comply with international industry standards, ensuring mixes never fail network specifications
  • High-quality resampling using the SRC sample-rate conversion algorithm
  • Reduce bit resolution for final delivery of a project without sacrificing quality with the MBIT+ Dither algorithm
  • Rebuild distorted audio caused by analog and digital overload, and get through projects faster with the automatic Suggest feature
  • Spectrum Analyzer delivers a detailed spectral display that detects peaks automatically
  • Adaptive Hum Removal notches out fundamental hum frequencies that may change over time, like when recording a shot in multiple locations
  • Non-destructive Clip Gain allows you to easily adjust and balance the volume of vocals and instrumentals
  • Export marker regions as files
  • Metadata display (see ID3 tags and broadcast WAV metadata like source timecode, etc.)
  • Time-reverse audio
  • Updated timeline ruler that displays original recorded source timecode
  • Movable tabs
  • Full-screen support for Mac

iZotope RX Loudness Control – Automatic Global Loudness Correction Plug-In (Download)

RX Loudness Control from iZotope is a post production plug-in that avoids the problems associated with rejected audio material due to non-compliance with broadcast loudness specifications. Based around faster-than-real-time intelligent algorithms, the software delivers compliant audio from multiple hosts according to global standards.

For many mixes, dynamics are not affected because only a fixed gain is required to meet specifications. In the case of a mix having high dynamic content or significant transients, compression and/or limiting may be applied to meet Short-term (Momentary) or True Peak parts of the specification. Surround sound up to 5.1 is supported and the software will also preserve the Left total/Right total (LtRt) encoding on a Dolby-encoded mix.

Features

  • Ensures mixes meet the required delivery specifications with intelligent algorithms that take out the guesswork
  • Deliver results globally using the latest loudness standards
  • Extensive presets and efficient workflow that saves time on the final stage of TV production
  • History graph and loudness report inform whether audio is within the appropriate tolerance of the selected loudness standard, and if not, shows where the overflows may be occurring
  • Supports mono, stereo, and surround channel counts up to 5.1
  • IRC (Intelligent Release Control) II transparent limiting algorithm, an offline process that corrects a mono, stereo, or surround sound audio file for True Peak value (dBTP)
  • Supports offline processing as an AudioSuite plug-in for Avid Media Composer and Pro Tools 10 through 12
  • Offline loudness-compliant processing is available as an audio extension for Adobe Premiere Pro

Global Loudness Standards

  • BS.1770-1 (Global)
  • BS.1770-2-3 (Global)
  • EBU R128 (Europe)
  • EBU R128 s1 (Europe)
  • AGCOM 219/09/CSP (Italy)
  • ATSC A/85 (U.S.)
  • OP-59 (Australia)
  • ARIB TR-B32 (Japan)

iZotope Neutron 3 Advanced – Channel Strip Software with Mix Assistant for Pro Audio Applications (Download)

Neutron 3 Advanced represents the next step forward in iZotope‘s channel-strip plug-ins, giving you the ability to balance your entire session in three clicks with the new Mix Assistant. As with previous iterations, you get an equalizer, a compressor, a transient shaper, an exciter, and other goodies from Neutron 2. But iZotope has brought a new module into the mix as well—a sweetening, tone-shaping module called Sculptor.

The modules offered in version 2 have been optimized to take as little CPU as possible. The GUI has seen an overhaul with a resizeable window as well as better control of the sliders than Version 2. The Masking Meter, which helps you identify and fix competing frequencies between two tracks, is now elegantly compacted into one, easy-to-understand window, with essential parameters like inverse link more readily available.

The most prominent additions to the Neutron platform are Mix Assistant and Sculptor. Through plug-in communication, the Mix Assistant can listen to all of the tracks in your mix and give you a static starting point. Use it at the beginning of the process: Simply place Neutron 3 or Relay on every track of your mix, run the Mix Assistant, choose the most prominent tracks when prompted (i.e., the vocal in a pop tune), and let Neutron handle all the busywork so you can get to the fun stuff.

Sculptor, on the other hand, is a sweetening, finalizing module that applies a comprehensive EQ, one that fluctuates in real-time, reacting to the track as it plays. It makes multiple dynamic choices per second. Use it to add both final polish and a creative emphasis to any track.

Neutron 3 Advanced is compatible with Mac and Windows computers and is available for download. It works in AU, AAX, and VST formats.

General Features

Mix Assistant

Through inter-plug-in communication, Mix Assistant listens to your entire mix, communicating with every track in your session to give you a balanced starting point. This starting point is built around a focus of your choice. Neutron 3 listens to your session and makes decisions to give you a balanced mix—a jumping off point from which you can make creative decisions.

Sculptor Module

Select a desired style from the menu, and the algorithm shapes the tone to achieve an ideal balance for that instrument. Change the speed at which the process is applied, or change the overall tonality, highs, or lows. You can even set filter points, stopping all processing below or above your desired frequency. This can be useful for sculpting just the midrange of track or for excluding the treble to obviate any undue harshness.

Breakout Plug-Ins

Neutron Advanced comes with 8 individual module plug-ins, so if you only need the EQ or Sculptor, you can instantiate it without loading the compressor, transient shaper, etc. Each of the modules can be loaded independently.

Improved Masking Meter

With a convenient one-window display, smoother metering with more obvious parameters, Masking Meter is now even better at helping you find and fix the competing elements of your mix.

Optimized Performance

Insert more instances of Neutron in your session, open sessions faster, and forget about bouncing sessions for overdubs. Not only is Neutron faster at processing your audio, but your sessions with multiple Neutrons will open faster with refresh rates doubled for visualizations.

Other Features at a Glance

  • Visual Mixer and iZotope Relay: Launch Mix Assistant directly from the Visual Mixer and move your tracks in a virtual space, tapping into iZotope-enabled inter-plugin communication.
  • New EQ Functionality: EQ now has a Soft Saturation mode for a more analog feel and sound.
  • Tonal Balance Control: Updated to support Neutron 3 to further help you shape a balanced mix.
  • 7.1 Surround Sound Support: 7.1 Surround and zero-latency mode in all 8 modules for professional, lightweight processing for audio post or surround music mixes.

iZotope Insight 2 – Metering & Audio Analysis Plug-In for Music & Post Production (Download)

Available for download, iZotope Insight 2 is an update to their renowned metering software and comprises a set of tools designed for post-production and broadcast applications. Insight 2 provides an extensive set of audio analysis and metering tools that can help you visualize the changes made during mixing and mastering. These meters can be essential for troubleshooting problematic mixes, as well as ensuring compliance with broadcast loudness standards.

Fully customizable and scalable, Insight 2 allows you to visually monitor all the relevant information from your mono, stereo, or multichannel mix in a convenient floating window. This window has been redesigned and updated to provide a sleek look more in concert with iZotope’s current design scheme. Also, the GUI is now resizable: it can encompass a full screen or just one tiny meter floating in the corner of your DAW. Thus, the metering can be adapted to suit your workflow as it changes.

Insight 2 visually guides you throughout the mixing process, empowering you to look deeper into your audio with intelligent analysis tools and real-time monitoring capabilities. Loudness meters are clearly visible with color-coded readouts for short-term, momentary, and integrated values. Multichannel RMS metering is on hand, as is sound-field monitoring, a loudness history graph, a spectrum analyzer (for frequency content), a customizable spectrogram, and a new addition to the family: the Intelligibility Meter.

This tool works in conjunction with iZotope’s new Relay module to help you see, at a glance, whether or not dialogue is intelligible over the rest of the mix. Simply put Relay on your mix, and track the results in the meter. With an easy-to-read scale, you will discover if your dialogue’s intelligibility will translate to other listening environments. You can even choose listening environments to check if the dialogue will read well over moderately noisy or severely noisy confines.

The included Relay module facilitates intercommunication with compatible iZotope products as well as the ability to monitor the output of audio affected by third-party plug-ins; the latter function is accomplished by instantiating Relay as the last plug-in in your chain. The module itself has multiple useful features, including delay offset, phase invert, sum-to-mono, L/R swap, and high-pass filtering.

Fully compliant with EBU R128, ITU-R BS.1770-1/2/3/4, ATSC A/85, OP-59, and other current standards, Insight 2 provides the tools you need to be confident that your audio meets regulations. It is compatible with Mac and Windows platforms, and operates in AU, AAX, AAX-AS, RTAS, DPM-AS, VST2, and VST3.

Updated Look and Feel

Insight 2 has an updated design that matches the rest of the iZotope family. Important metering targets have been emphasized to make the metering suite easier to read at a glance.

Resizable

Now you can easily resize individual meters in the main window by clicking and dragging between two meter frames. Also, the main window can be resized to be as small as the smallest meter, or to take up the whole screen.

Customize Your Layout

Insight 2 is customizable and flexible to suit your workflow. Select one of the many Layouts designed for specific post- and music-production settings.

Intelligibility Meter

This meter provides guidance on whether dialogue is likely to be overshadowed by the loudness of the rest of your mix. Using iZotope Relay or other compatible plug-ins, Insight 2 takes information from your dialogue track and gives you recommendations on where your dialogue should be when compared to the rest of the elements. Select among different target listening environments that range from low to high noise. This will help you check how your dialogue will translate to different listeners in different spaces.

Multichannel support

Analyze audio in surround sound up to Dolby Atmos 7.1.2

iZotope Exponential Audio Symphony 3D – Algorithmic Reverb for Stereo, Surround, or Immersive Audio Applications (Download)

Available for download, Exponential Audio Symphony 3D from iZotope is an algorithmic reverb that can add character and color to sound sources. The plug-in offers 24-channel support, and as such, you’ll find it equally useful in music and post-production contexts. Whether you’re preparing audio for surround sound formats (up to 7.1), Atmos, or Auro 3D, this reverb can provide an intuitive yet tweakable interface as well as a pleasurable sound.

Exponential Audio plug-ins trace their origin to the classic Lexicon units of yesteryear. Symphony 3D certainly expands upon that sound, adding color as well as dimension to your signals.

Symphony 3D provides comprehensive controls separated into tabs. Click into the Early Reflections tab, and you can tailor the sound to your needs in highly specific ways. Click into the Tails tab and you’ll find a whole new set of controls over the late reflections. You’ll also see three sets of input filtering, providing high-, low-, and band-pass tweaking on global inputs, early reflection inputs, and tail inputs respectively.

A Warp tab lets you add compression and overdrive, and also facilitates other effects such as bit-reduction, for a more vintage, digital sound. A chorus section adds modulation, and you can dictate how modulation effects the tails or early reflections on an individual basis. Other features abound: use the Gate tab to create classic, gated-reverb sounds, or automate the Freeze button to achieve weird, momentary effects.

Whether you’re looking for halls, chambers, rooms, or plates, Symphony 3D has a colorful reverb for you. Browse through them by keyword, or click the magnifying glass in the top right of the GUI to search. Over 1700 presets are provided in total, many of them for music, many of them for post-production, and many more suitable for both contexts.

This product is compatible with Mac and Windows platforms. It operates in AU, VST, and AAX formats. An iLok account is required for authorizing the plug-in, though an iLok key is not strictly necessary.

General Features

Top and Main Balance Tabs

You’ll note two different Balance tabs: TopBalance and MainBalance. These two tabs have been separated to give you a free-hand in the height dimension. Flip between the two to manipulate parameters for sound emanating above your head or towards your feet.

Both of these sections offer control over levels and delays on a per-channel basis. Go into this tab when you want to create compelling soundscapes for surround-sound formats.

Key Features at a Glance

  • Lush surround reverb algorithm
  • Up to 24 channels, including Atmos, Auro 3D, NHK, and more
  • Channel-specific balance controls for top and main signals
  • Advanced control of reverb tail and early reflections
  • Channel-specific control over reverb delay and gain
  • Freeze, chorus, and gate for musical effects
  • Over 1700 presets for rooms, plates, halls, chambers, and more
  • EuControl support

iZotope Exponential Audio Stratus 3D – Algorithmic Reverb for Stereo, Surround & Immersive Audio Applications (Download)

Available for download, Exponential Audio Stratus 3D from iZotope is an algorithmic reverb that can add depth, dimension, and even complexity to sound sources. The plug-in offers 24-channel support, and as such, you’ll find it equally useful in music and post-production contexts. Whether you’re preparing audio for surround sound formats (up to 7.1), Atmos, or Auro-3D, this reverb can provide an intuitive, yet tweakable interface, as well as a pleasurable sound.

Stratus 3D provides comprehensive controls separated into tabs. Click into the Early Reflections tab, and you can tailor the sound to your needs in highly specific ways. Click into the Tails tab and you’ll find a whole new set of controls over the late reflections. You’ll also see three sets of input filtering, providing high-, low-, and band-pass tweaking on global inputs, early reflection inputs, and tail inputs respectively.

You’ll note two different Balance tabs: TopBalance and MainBalance. These two tabs have been separated to give you a free-hand in the height dimension. Flip between the two to manipulate parameters for sound emanating above your head, or sound emanating more towards your feet.

Both of these sections offer controls over levels and delays on a per-channel basis. Go into this tab when you want to create compelling soundscapes for surround-sound formats.

Lastly, a Warp tab lets you add compression and overdrive. This tab also facilitates other effects, such as bit-reduction for a vintage-digital sound.

Whether you’re looking for halls, chambers, rooms, plates, or exterior landscapes, Stratus 3D has a reverb for you. Browse through them all by keyword, or click the magnifying glass in the top right of the GUI to dictate the terms of search. Over 1700 presets are provided in total, many of them for music, many of them for post-production, and many more suitable for both contexts.

This product is compatible with Mac and Windows platforms. It operates in AU, VST, and AAX formats. An iLok account is required for authorizing the plug-in, though an iLok key is not strictly necessary.

General Features

Key Features at a Glance

  • Natural reverb support up to 24 channels, including Atmos, Auro 3D, NHK, and more
  • Channel-specific balance controls for top and main signals in Atmos and other immersive formats
  • Advanced control of reverb tail and early reflections
  • Predelay and reverb delay adjustable by tempo
  • Warp controls with compression and overdrive
  • 3D controls link multiple plug-in instances
  • Over 1700 presets for rooms, plates, halls, chambers, and more
  • EuControl support

iZotope Dialogue Match – Dialogue-Matching AudioSuite Software for Post Production (Download)

Available for download, iZotope Dialogue Match is a tool designed to make the lives of post-production engineers easier, specifically by matching the timbre and ambience of ADR dialogue with material recorded in production. Using iZotope’s machine learning, the company’s forensic technologies, and Exponential Audio’s reverb algorithms, Dialogue Match expertly massages looped dialogue so that it naturally matches the tone of the original scene.

Operating has been made streamlined and simple: first, you capture a reference profile from a desired track such as a character’s dialogue as recorded within the scene itself from a boom or lapel microphone. Then in Pro Tools, you highlight the audio you’re intending to affect, such as the ADR. Hit the Capture button in the GUI, and the software will automatically calibrate an EQ curve and an ambience and reverb profile, creating the perfect match.

From here, you can tweak the EQ curve, the reverb, and the ambience by ear if need be. Hit render, and the processing is completed.

Dialogue Match allows you to save snapshots as presets, so you don’t have to keep tweaking the chain every time you’re working with similar audio. You can also save captured references for storage. This speeds up your workflow, because you won’t have to keep recapturing the same audio for targeting.

This software is only available as an AudioSuite process in Pro Tools 11 or later. It is compatible with Mac and Windows operating systems.

General Features

Intuitive EQ Module

By leveraging Ozone’s EQ-matching technology, Dialogue Match offers an intuitive EQ module right inside the AudioSuite GUI. The Dialogue Match EQ module includes:
  • Amount: Controls the dry/wet ratio for your processed audio file
  • Up to 8 frequency band nodes for sonic flexibility and versatility
  • 5 shapes for each band node: Bell, High Pass, High Shelf, Low Pass, and Low Shelf
  • Individual Enable/Bypass controls on each band node for easy A-to-B comparisons

Helpful Reverb Module

The Reverb module in Dialogue Match serves two functions. First, it analyzes the reverb profile of your reference file. It then produces an Exponential Audio reverb patch designed to emulate the reflections of your reference file, which you can refine using a number of intuitive parameter controls, such as:
  • Wet and Dry controls: Presented as individual parameters to better balance your desired reverb tone
  • Bypass: Enables and disables the Reverb module
  • Early Reflections: Controls the Level (gain) and Time (length) of the first reverb reflections
  • Tail: Controls the Predelay, Level, Attack, and Time (length) of the reverb tail
  • Reverb types: Choose from Chamber, Hall, or Plate reflections to tailor the right reverb for your project
  • Output Filter: Offers high and low pass filtering for your reverb signal
  • Density: Colors your reverb for even more precise fine-tuning

Ambiance Module

The Ambience module in Dialogue Match puts the finishing touches on the resulting sonic profile. This module learns your reference’s ambience data (the background noise), in addition to its EQ curve and reverb characteristics. By doing so, Dialogue Match creates a more detailed, comprehensive profile which can then be applied to your target files with more precision and accuracy. Complete with a spectrogram display and Trim slider, the Ambience module lets you dial in the final layer of realism to your actors’ performances for unparalleled depth and authenticity.