Brand New
$799.95
1 in stock
Get the PreSonus Quantum 2626 ultra-low-latency audio interface and the Fat Channel Collection Vol. 1 Bundle software package and SAVE $50.
The PreSonus Quantum 2626 is a professional ultra-low-latency audio interface that provides up to 26 inputs and 26 outputs of combined analog and digital connections. The unit’s converters allow for low-latency recording as well as dynamic ranges of 115 dB on both AD (analog to digital) and DA (digital to analog) conversions. Furthermore, the Quantum 2626 captures audio at 24-bit resolution, achieving sample rates up to 192 kHz.
For analog I/O, the Quantum 2626 provides a complement of eight inputs and eight outputs. Microphone inputs are PreSonus recallable XMAX preamps and include eight combo XLR-1/4″ XLR jacks for instruments (channel 1-2), mic-level (channels 1-8), or line-level (1-8) signals, as well as two 1/4″ preamp outputs and two 1/4″ line returns. The output section includes eight 1/4″ TRS outputs, two 1/4″ main outputs, and a two headphone jacks, each with dedicated volume controls.
The digital I/O includes two banks of optical ADAT I/O as well as S/PDIF connections, bringing the grand total of ins and outs to 26×26. You’ll find that the unit sports BNC wordclock connections, facilitating wordclock sync with other pieces of gear in your studio such as a master clock. The 5-pin DIN MIDI I/O lets you connect your MIDI controller and send MIDI signals. There are eight LEDs for each channel, which indicate signal presence and clipping. The Quantum 2626 is powered by the included 12 VDC power supply and ships with PreSonus Studio One Artists and the Studio Magic Plug-In Suite.
Quantum 2626 ships with Studio One Artist music production software included. Studio One enables you to compose, record and produce without getting distracted by the tools. Need a new loop or sample for your latest production? PreSonus Studio One lets you audition and purchase new content right from your production environment.
The PreSonus Fat Channel Collection Vol. 1 bundles the complete line of eleven hybrid Fat Channel classic EQ and compressor plug-ins. Because of the interoperability between the company’s hardware and software, you can use these hybrid plug-ins to expand the processing capabilities of your Studio One music production software or any StudioLive Series III console or rack mixer, for live sound and recording applications.
The PreSonus Fat Channel Collection includes the Baxandall EQ, Vintage 3-band EQ, Tube Midrange EQ, Alpine EQ-550, and Solar 69 EQ plug-ins, as well as the Comp 160 Compressor, Everest C100A Compressor, Classic Compressor, Tube P1B Compressor, Brit Comp, and FC-670 Compressor plug-ins. The software is state-modeled to accurately emulate the sound and response of the original hardware processors.
The PreSonus Baxandall EQ is a Fat Channel EQ plug-in designed to emulate one of the world’s most popular EQ curves, used to adjust the bass and treble on a high-fidelity stereo system, boom box, or car stereo. State-modeled to accurately capture the unique sound and response of the original hardware processor, the plug-in features a low-frequency and a high-frequency band, each with sweeping treble and bass EQ shelves, and allows you to make subtle, yet effective changes over broad sections of the audio frequency spectrum.
The Baxandall EQ comes in both StudioLive Series III format and Studio One format, so you can use it in both mixer and DAW Fat Channels.
The PreSonus Comp 160 Compressor is a Fat Channel compressor plug-in, which is state-modeled to accurately capture the unique sound and response of the original hardware processor. The Comp 160 emulates the design of a VCA compressor/limiter, ideal for adding punch and presence to drums and basses, and intelligibility to vocals.
The plug-in comes in both StudioLive Series III format and Studio One format so you can use it in both mixer and DAW Fat Channels.
The PreSonus Everest C100A Compressor is a Fat Channel compressor plug-in, which is state-modeled to accurately capture the unique sound and response of the original hardware processor. Ideal for vocals, basses, and instruments with slow transients, the Everest C100A emulates the design of an American tube compressor to produce gentle and natural sounding gain reduction, while letting the signal breathe.
The plug-in comes in both StudioLive Series III format and Studio One format so you can use it in both mixer and DAW Fat Channels.
The PreSonus Classic Compressor is a Fat Channel compressor plug-in, which is state-modeled to accurately capture the unique sound and response of the original hardware processor. Designed as a workhorse for just about any application, the Classic Compressor is capable of producing smooth, transparent compression on vocals or can be slammed up for extreme color changes on guitars, pianos, drums, and more.
The plug-in comes in both StudioLive Series III format and Studio One format, so you can use it in both mixer and DAW Fat Channels.
The PreSonus Vintage 3-Band EQ is a Fat Channel EQ plug-in, which emulates the design of an active, 3-band EQ with high and low shelving. State-modeled to accurately capture the distinct filter shaping and response of the original hardware processor, the plug-in delivers enhanced tone-shaping possibilities, ideal for adding sheen and bite to your sound.
The Vintage 3-Band EQ comes in both StudioLive Series III format and Studio One format, so you can use it in both mixer and DAW Fat Channels.
The Tube P1B Compressor from PreSonus is a Fat Channel compressor plug-in, which is state-modeled to accurately capture the unique sound and response of the original hardware processor. The Tube P1B Compressor emulates the design of a classic, all-tube optical compressor. Its soft attack and release smooth out uneven volume fluctuations, while delivering musicality and preserving the clarity of the signal, even at the most extreme settings.
The plug-in comes in both StudioLive Series III format and Studio One format so you can use it in both mixer and DAW Fat Channels.
The Tube Midrange EQ from PreSonus is a Fat Channel EQ plug-in, which emulates the design of a passive, all-tube EQ built for controlling midrange frequencies from 200 Hz to 7 kHz. State-modeled to accurately capture the unique sound and response of the original hardware processor, the plug-in delivers ultra-smooth and musical equalization, making it ideal for any midrange source material, in particular for vocals and guitars.
The Tube Midrange EQ comes in both StudioLive Series III format and Studio One format, so you can use it in both mixer and DAW Fat Channels.
The PreSonus FC-670 Compressor is a Fat Channel compressor plug-in, which is state-modeled to accurately capture the unique sound and response of the original hardware processor. The FC-670 emulates the design of an iconic tube compressor/limiter from the 50’s to impart an unmistakable silky warmth on just about any signal.
The plug-in comes in both StudioLive Series III format and Studio One format so you can use it in both mixer and DAW Fat Channels.
The PreSonus Brit Comp included in the PreSonus Fat Channel Collection is a Fat Channel compressor plug-in, which is state-modeled to accurately capture the unique sound and response of the original hardware processor. The Brit Comp emulates the design of a twin-VCA gain-reduction amplifier, ideal for taming piano dynamics or adding punch to drums and percussion.
The plug-in comes in both StudioLive Series III format and Studio One format, so you can use it in both mixer and DAW Fat Channels.
The PreSonus Alpine EQ-550 included in the PreSonus Fat Channel Collection is a Fat Channel EQ plug-in, which emulates the design of a vintage 1960s EQ. State-modeled to accurately capture the unique sound and response of the original hardware processor, the plug-in features three overlapping bands divided into seven, fixed-frequency points, each with five steps of boost or cut. It offers selectable peak or shelf filters for the high and low bands along with an independent, insertable bandpass filter, to enhance your tracks with rich and musical equalization.
The Alpine EQ-550 comes in both StudioLive Series III format and Studio One format, so you can use it in both mixer and DAW Fat Channels.
The PreSonus Solar 69 EQ included in the PreSonus Fat Channel Collection is a Fat Channel EQ plug-in, which emulates the design of a classic British EQ used on countless legendary recordings. State-modeled to accurately capture the unique sound and response of the original hardware processor, the plug-in offers a bass-frequency band, a mid-frequency band, and a 10 kHz band, and is great for enhancing the definition of kick drums, shaping electric guitars, or adding shimmer to acoustic guitars and vocals without sacrificing the character of your sound.
The Solar 69 EQ comes in both StudioLive Series III format and Studio One format, so you can use it in both mixer and DAW Fat Channels.
